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Limp bizkit break stuff
Limp bizkit break stuff




limp bizkit break stuff
  1. #Limp bizkit break stuff plus#
  2. #Limp bizkit break stuff series#

I don’t think it was their fuckin’ fault.” -Jonathan Davis “I think Bizkit being blamed for it is because they were the heavy band.

limp bizkit break stuff

I don’t think it was their fuckin’ fault.”

limp bizkit break stuff

But I think Bizkit being blamed for it is because they were the heavy band. “I don’t think that the riots shoulda happened, period,” Davis said. Jonathan Davis, the lead singer of Korn, who performed at the festival, agrees. So naturally, the melding of these genres made nu metal acts especially susceptible to being scapegoated. Hip-hop and metal have always been the easiest genres to demonize. And for the people who organized Woodstock ’99? It’s very convenient. Blaming the bands for all the rioting, looting, and assaults? It’s a little too easy and reductive. “You had a cheerleader in Fred Durst, who, if I haven’t said enough times, is a complete asshole,” Scher said. Even now, John Scher, the festival’s promoter, doesn’t mince words when it comes to Limp Bizkit. Well, it’s what at least one of the organizers of Woodstock ’99 would have us believe. The media said Limp Bizkit drove the audience to riot when they played the incendiary “Break Stuff,” a standout track from the band’s second album, Significant Other.Įven now, this is probably the one thing that everybody thinks they know about Woodstock ’99-Limp Bizkit played “Break Stuff,” and tens of thousands of hooligans were provoked into breaking lots of stuff. After Woodstock ’99, Limp Bizkit went from the bad boys of TRL to the villains of the festival. MTV’s signature teen music show, TRL, played the video for “Nookie” nearly as often as it played clips by Britney Spears and the Backstreet Boys. Subscribe here and check back each Tuesday through August 27 for new episodes.īy 1999, Limp Bizkit wasn’t merely a popular rock band-they were a pop band. The answer isn’t as simple as it may seem.īelow is an excerpt from the first episode of Break Stuff. Episode 1 questions one of the commonly held beliefs about the festival: that nu metal bad boys Limp Bizkit were chiefly responsible for the rioting and chaos.

#Limp bizkit break stuff series#

But Woodstock ’99 revealed some hard truths behind the myths of the 1960s and the danger that nostalgia can engender.īreak Stuff, an eight-part documentary podcast series available exclusively on Luminary, investigates what went wrong at Woodstock ’99 and the legacy of the event as host Steven Hyden interviews promoters, attendees, journalists, and musicians. Incredibly, this was the third iteration of Woodstock, a festival originally known for peace, love, and hippie idealism. There were riots, looting, and numerous assaults, all set to a soundtrack of the era’s most aggressive rock bands.

#Limp bizkit break stuff plus#

While the 2000s were marked with a brief departure by Borland and a band hiatus between 20, the group rolled into the 2010s as ferocious as ever with 2011’s Gold Cobra, plus regular festival appearances that would continue to prove Limp Bizkit’s impressive staying power and canny way of turning caustic noise into irresistible hooks.In 1999, a music festival in upstate New York became a social experiment. Both albums highlighted Durst’s cocksure jumble of raging rhymes, Borland’s crunchy metal riffs, DJ Lethal’s skittery samples and breaks, and Tool-indebted rhythms on chart hits like “Rollin’,” “Nookie,” and “Break Stuff,” the latter serving as the unofficial theme for Woodstock ‘99 and Limp Bizkit’s infamous, violence-inciting performance. Mixing heavy doses of rock, rap, and punk, the Florida band began churning out bold, brazen, house-destroying tracks built on pure testosterone-fueled escapism with 1999’s Significant Other and 2000’s Chocolate Starfish and the Hot Dog Flavored Water. Coming together in 1994 in Jacksonville, Florida, vocalist Fred Durst, guitarist Wes Borland, bassist Sam Rivers, and drummer John Otto grew a following in the local punk scene with loud, rafter-rattling performances, highlighted by a scratchy, screamy cover of George Michael’s “Faith.” That track would eventually land on their 1997 debut album, Three Dollar Bill, Y’All, which also included newest member: turntablist DJ Lethal of House of Pain fame. Nu-metal pioneers Limp Bizkit have always been far more clever than they let on-but that’s a large part of their allure.






Limp bizkit break stuff